A perfect evolution from the micro-contained glitch-house that Jelinek has adapted so brilliantly - forever searching for a myriad colour of jazz traditions and influences that have finally expressed themselves with a less contained form on this wondrous album. Archetypal, dissolving jazz elements correspond to repetitive patterns not known to the genre, electronics and acoustics circle each other but remain conjoined. Triosk and Jelinek play together with eerie assurance and emphatic sensibility. The title reflects their production method : jelinek mails selected samples and textures to australia, Triosk use these as a basis for composition and recording, the enhanced material then returns to Berlin for Jelinek to finalise.īut the mileage covered does not become audible - "four different instruments multiplied by four different approaches make one sense". Sydney-based jazz trio triosk and jan jelinek from Berlin have opened up a common equation.
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